Stranger in the Alps
– out September 22, 2017 via Dead Oceans
Don’t let the somber tone of her music fool you: the Los Angeles-based singer-songwriter Phoebe Bridgers has a sunny disposition.
“I’d hate for someone to think I’m sipping an espresso somewhere judging people or feeling sorry for myself. OK, I definitely do that once in a while, but I don’t consider myself an intense person.”
Bridgers grew up in the rose-colored city of Pasadena, attending the prestigious Los Angeles County High School for the Arts to study music. From an early age, she found encouragement from a close-knit artistic community of friends and family to follow her dreams, and at school she forged relationships that would teach her as much about her craft as her classes.
“I think most of my musical education had to do with being around a ton of teenagers who listened to music all the time,” she says. “At school I had classical training for my voice, but I think being surrounded by people who were really enthusiastic about art and going to concerts all the time was the real education.”
“I met Carla Azar of Autolux – and she showed me Elliott Smith for the first time, which was my first personal connection to music that one of my parents hadn’t showed me,” she says. “It seemed so different from anything I’d listened to before. It is so personal, so intense.” Bridgers’ work would be heavily influenced by Smith’s sparse lyrics and subdued emotional style, in addition to that of her other favored singer-songwriters like Joni Mitchell, Tom Waits, and Leonard Cohen.
“Los Angeles is interwoven into my music inherently,” she says. “I don’t necessarily try to reference it, but because I’m pulling from experience it just appears. A lot of shit goes down wherever you may grow up.” After graduating from high school, Bridgers spent a year gigging around the city, playing as often as she could, making mistakes and learning while on her feet. “I’ve always been very appreciative of the LA thing,” she says.
But of course the truth is that the unique ingredient at play, the calling card that has drawn all this interest and intrigue, is simply Bridgers’ music itself. Her powerful, lilting voice and her haunting, introspective songs light the torch that shows the way, and are what have inspired artists like Ryan Adams to produce her 2015 single, or Julien Baker to bring her on tour in 2016, as well as John Doe and Conor Oberst to sing with her on her debut album. There is a delicate balance to her work, a dance between veiled narratives and earnest emotions, between whispers and shouts. And according to Bridgers, everything you hear has arrived by feeling; her music is what comes when she is at her most honest, without specific intention, and she aims to be in her songs the person she is in the world.
Stranger in the Alps opens with the one-two punch of “Smoke Signals” and “Motion Sickness,” a pair of songs that highlight Bridgers’ abilities. The former, a gorgeous, ethereal tune guided by sparse electric guitar and sweeping strings, toes the line between weary and wistful, using specific anecdotes from its singer to tell its tale. The style highlights the strengths of Bridgers’ unique lyric writing perspective: there are overt references to lost idols, canonical pop songs and actual incidents, but her stories unfold through precise, evocative imagery sung in her subtle, confessional style. The latter is perhaps the most upbeat moment on the album and was written on her baritone guitar and discusses a problematic relationship from her past. “I feel like I’m getting more focused when I write,” she says. “My songs are super personal.”
“Scott Street” is a song inspired by East Los Angeles where Bridgers now lives. “Killer” is a song originally appearing on her Adams-produced single but is re-recorded here by the album’s producer, Tony Berg, with John Doe singing alongside Bridgers. That song in particular inspired her to be more honest in her approach. “I wanted to be more genuine with my lyrics, and to me that meant being self-deprecating or a little more self-aware, and not using words that just sounded pretty,” she says. “I had an epiphany that I can be honest with myself and with other people when I’m writing.”
Elsewhere, Conor Oberst joins her for the duet “Would You Rather,” a singer chosen for his unmistakable voice. A Mark Kozelek cover, “You Missed My Heart,” ends the album. As with any singer’s debut, the songs here comprise a wide swath of Bridgers’ life, dating from the oldest, “Georgia,” which she calls the most different-sounding on the LP, to the opening pair, which were written after the recording process had already begun. Berg and co-producer Ethan Gruska worked with Bridgers to record in on-and-off stretches in between tours over 2016 at Berg’s studio in Brentwood. She went into the studio with the majority of the material written, however “Smoke Signals” and “Motion Sickness” were written in a cabin in Idaho, while Bridgers was waiting for a tour to begin. The pair were the last songs written for the LP.
“I wasn’t trying to be too lo-fi, too hi-fi, too self-serious, too disingenuous…I feel pretty confident that I’m finding my voice,” she says. “I wanted the album to completely represent who I am and these songs are representative of what I set out to do.”
Videos & Press
[NPR] By Stephen Thompson Phoebe Bridgers is an NPR Music favorite — she’s already been one of our 2018 Slingshot artists and played a Tiny Desk concert — whose Stranger in the Alps was one of last year’s best debuts. Noah Gundersen has spent the last decade breaking out slowly and steadily, releasing a long […]
[Brooklyn Vegan] As we discussed when we made a similar list last year, it’s harder and harder to figure out what really qualifies as a “new” artist. We were talking about some of the artists on this list on BrooklynVegan in 2016 and some even in 2015 or 2014. Most of them released a debut […]
[LA Times] By Mikael Wood Phoebe Bridgers seriously overpacked the first few times she went on tour. “Way, way too many clothes — like, stuff from my closet that I’ve literally never put on my body,” she says. “And then I’d only wear the same two T-shirts and pair of jeans.” Bridgers, the L.A. singer-songwriter […]
[BBC] The debate was fierce, the voting rigorous but now with the mathematics bit all done and dusted we can reveal 6 Music Recommends’ Top Ten Albums of 2017 – according to our DJs. Here are the ten records that gained the most votes, but so that each of our 21 presenters can share an […]
[Consequence of Sound] 22. PHOEBE BRIDGERS – STRANGER IN THE ALPS Origin: Los Angeles, California The Gist: After putting out her debut 7″ on Ryan Adams’ PAX AM label and opening on tour for Julien Baker — irrefutable references in a music world where being heard can be as difficult as penning a remarkable song […]
[The Fader] 2. The best album of 2017 happens to be a debut. It’s Stranger in the Alps, a casually sad rock record by 23-year-old Phoebe Bridgers that is named after a redubbed-for-TV-censors line in The Big Lebowski: “You see what happens when you fuck a stranger in the ass? (*smashes car windshield*)” So it’s […]
[NPR] Phoebe Bridgers was a major discovery at this year’s SXSW — and, before that, the voice behind the tremendous EP Killer, released via Ryan Adams’ label in 2015. Now, hers already feels like an indispensable voice. This year alone, Bridgers has toured with Conor Oberst, performed a South X Lullaby from an Austin hotel […]
[NPR] By Stephen Thompson So far, Los Angeles singer-songwriter Phoebe Bridgers is known primarily for one 7″ single (“Killer,” released in 2015 via Ryan Adams’ label) and opening slots on occasional tours, most recently for Conor Oberst. But she seems due for a major breakthrough this year, not least because every song the 22-year-old has […]