What It Is
The chorus to the title track on the new Hayes Carll album, What It Is, is a manifesto.
What it was is gone forever / What it could be God only knows.
What it is is right here in front of me / and I’m not letting go.
He’s embracing the moment. Leaving the past where it belongs, accepting there’s no way to know what’s ahead, and challenging himself to be present in both love and life. It’s heady stuff. It also rocks.
With a career full of critical acclaim and popular success, Carll could’ve played it safe on this, his sixth record, but he didn’t. The result is a musically ambitious and lyrically deep statement of an artist in his creative prime.
Hayes Carll’s list of accomplishments is long. His third album, 2008’s Trouble In Mind, earned him an Americana Music Association Award for Song of the Year (for “She Left Me for Jesus”). The follow-up, KMAG YOYO was the most played album on the Americana Chart in 2011 and spawned covers by artists as varied as Hard Working Americans and Lee Ann Womack, whose version of “Chances Are” garnered Carll a Grammy nomination for Best Country Song. 2016’s Lovers and Leavers swept the Austin Music Awards, and was his fourth record in a row to reach #1 on the Americana Airplay chart. Kelly Willis and Kenny Chesney have chosen to record his songs and his television appearances include The Tonight Show, Austin City Limits, and Later w/Jools Holland. Carll is the rare artist who can rock a packed dancehall one night and hold a listening room at rapt attention the next.
“Repeating myself creatively would ultimately leave me empty. Covering new ground, exploring, and taking chances gives me juice and keeps me interested.”
He knew he wanted to find the next level. On What It Is, he clearly has.
It wasn’t necessarily easy to get there. Carll’s last release, 2016’s Lovers and Leavers was an artistic and commercial risk — a bold move which eschewed the tempo and humor of much of his previous work. The record revealed a more serious singer-songwriter dealing with more serious subjects — divorce, new love in the middle of life, parenting, the worth of work. What It Is finds him now on the other side, revived and happy, but resolute — no longer under the impression that any of it comes for free.
“I want to dig in so this life doesn’t just pass me by. The more engaged I am the more meaning it all has. I want that to be reflected in the work.”
And meaning there is. Carll sings “but I try because I want to,” on the album’s opening track, “None’Ya.” He’s not looking back lamenting love lost, rather, finding joy and purpose in the one he’s got and hanging on to the woman who sometimes leaves him delightedly scratching his head. “If I May Be So Bold,” finds him standing on similar ground — lyrically taking on the challenge of participating fully in life rather than discontentedly letting life happen.
Bold enough to not surrender bold enough to give a damn
Bold enough to keep on going or to stay right where I am
There’s a whole world out there waiting full of stories to be told
I’ll heed the call and tell’em all if I may be so bold
There’s no wishy washy here and he’s not on the sidelines. In fact, he’s neck-deep in life. On the rambunctious, fiddle-punctuated, “Times Like These,” he laments political division in America while delivering a rapid-fire plea to “do my labor, love my girl, and help my neighbor, while keeping all my joie de vivre.” Carll’s signature cleverness and aptitude for so-personal-you-might-miss-it political commentary is as strong as ever. The stark, “Fragile Men,” co-written with singer-songwriter Lolo, uses humor and dripping sarcasm to examine his gender’s resistance to change in less than three minutes of string-laden, almost Jacques Brel invoking drama. It’s new musical territory for Carll, and the result is powerful. His voice is strong and resonant on these songs, and it’s thrilling to hear him use it with a new authority. He is alternately commanding and tender, yet always soulful.
Carll returned to trusted producer Brad Jones (producer of 2008’s Trouble in Mind and 2011’s KMAG YOYO) and Alex the Great Studio in Nashville, Tennessee, to record What It Is, and recruited singer-songwriter, author, and fiancee Allison Moorer as co-producer. The production is adventurous while keeping the focus on the singer and his songs and providing a path for him to go where he wants to go. Where that is, is forward.
That’s evident in the songwriting. Carll continues to hone his singular voice, but is also a flexible co-writer. Matraca Berg, Charlie Mars, Adam Landry, and Moorer have co-writing credits here, but it was Moorer’s inspiration that provided the largest impact.
“On the songwriting front she’s just a pro. She helps me cut through the noise and she does it with wit and style.”
Carll’s own wit and style has never been more evident. Whether it’s with the put-you-in-picture detail of, “Beautiful Thing,” the not quite sheepish enough, dude-esque defense of dishonesty in, “Things You Don’t Wanna Know,” or the strong as a tree trunk declaration of love on, “I Will Stay,” he displays an increasing command of his poetic lexicon.
Writers most often wrestle with experience and expectations, either romanticizing the past or telling us how good it’s going to be when they get where they’re going. What It Is is a record that is rooted solidly in the present, revealing an artist in the emotional and intellectual here and now.
For press information on Hayes Carll, please contact Jim Flammia at
All Eyes Media email@example.com or (615) 227-2770
Videos & Press
[NPR] Hayes CarllWhat It Is Previous entries from Hayes Carll have represented a sliding scale of exuberance and introspection. What It Is mines both emotions and way more. There is love and gratitude, coltish uproar and canny sensibility. The album was co-produced by Allison Moorer, with whom he just tied the knot. —Jessie Scott, WMOT Roots Radio Read […]
Hayes Carll – Full Session Paste Studios (New York, New York), 04/22/2019 By Paste Magazine | April 22, 2019
“A large percentage of my fan base wants to drink beer and have something to dance to,” says the Texas songwriter [Rolling Stone] By JEFF GAGE For someone so well known for his storytelling, Hayes Carll is a man of few words. Either that or a chronic self-editor: Speaking slowly and carefully, with long, thoughtful pauses, he […]
[NPR] By Jewly Hight Progressive political protest is hardly a risky proposition for Americana singer-songwriters, who can trace part of their lineage back to lefty folk revivalists and long-haired folk-rockers. It can become a major talking point around a new song or album and attract enthralled press coverage. Hayes Carll no doubt knows all this, having straddled […]
[Rolling Stone] Americana duo enlists John Moreland, Rhett Miller for covers of Willie Nelson, the Breeders and more on ‘Busted Jukebox, Vol. 2’ In November 2015, Americana duo Shovels & Rope quick-released the album Busted Jukebox, Vol. 1, featuring appearances by pals Shakey Graves, Lucius and more on covers of artists as diverse as Guns […]
[Chicago Tribune] Hayes Carll, the country singer-songwriter known for wry ballads like “She Left Me for Jesus,” went through a divorce and wrote a dark and quiet album about it. Then fans started to approach him at shows for different reasons than they normally do. “I never felt I had connected with people on that […]
[Rolling Stone] Video for the song off Carll’s new album ‘Lovers and Leavers’ is a tribute to his son By Chris Parton Father’s Day weekend is usually presented as a time for kids to shower their dads with love and appreciation, but it can also go the other way. Hayes Carll’s heart-swelling video for “The […]