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All Them Witches

Biography

Nothing as the ideal

From the brimming light of the lead guitar on opener “Saturnine & Iron Jaw” to the mellow grunge unfolding in the finale “Rats in Ruin,” ​Nothing as the Ideal is a signature All Them Witches release, which of course means it sounds like nothing they’ve ever done before.
The Nashville trio thrive on contrast. Now six records deep into a tenure that began in 2012, they are unremittingly forward-looking, and while signature elements can be found throughout Nothing as the Ideal – from guitarist Ben McLeod’s prog-tinged explorations to the slacker-soul vocals of bassist Charles Michael Parks, Jr., to the restless energy and rhythmic nuance in Robby Staebler’s drum patterns – it is also their most experimental work to-date.

But contrast is the key: Tape loops coincide with unplugged minimalism. They recorded it in a strange place with a familiar producer. It’s their heaviest album marked by their broadest atmospheres, intimate and pummeling. It is unquestionably theirs even as it will no doubt engender ownership in anyone who hears it.

Nothing as the Ideal might forever be known as “the album All Them Witches made at Abbey Road.” Fair enough. You don’t record in a legendary studio surrounded by mics The Beatles used, sitting on the bench where John Lennon tracked the acoustic guitar for “A Day in the Life” without acknowledging that history. There’s no getting away from it.

Where ​Nothings as the Ideal triumphs, however, is in making that space and that history the band’s own. Working with Mikey Allred, who previously produced 2015’s New West label debut, Dying Surfer Meets His Maker​, and has done other mixing and mastering along the way, All Them Witches not only did justice to the moment they were capturing – the sheer adventure of being there, doing that thing – but answered the call of their inspiration as they always do.

It wasn’t supposed to be that way. The idea was to take time, do it themselves. But after spending the early part of 2019 constructing a studio in a church outside Nashville where Staebler was living and writing, writing, writing, the band came up against the deadline of a 35-date European arena tour with Ghost and had the single “1×1” to show for it. They put that song out, did a video, and after the tour, redirected their purposes. With the momentum of playing every night behind them, ​Nothing as the Ideal​ at last began to take shape.

Abbey Road might not have been the plan, but with the harder deadline of recording dates locked in, All Them Witches were able to focus more clearly. It wasn’t about applying pressure, but about doing what best served the songs. With Allred as the trusted party at the helm, they succeeded in crafting a defining moment for who they are as a band, with each player’s personality coming together to create a fluidity that is unique unto them.

Whatever they’ve done in the past, whatever they’ll do next, ​Nothing as the Ideal epitomizes the literal and figurative journey All Them Witches have made, and it is to be treasured all the more for that.


Video & Press
  • Watch All Them Witches’ “Rats In Ruin” Video Starring & Co-directed by Drea de Matteo

    [Brooklyn Vegan] By BILL PEARIS Nashville’s All Them Witches recently released their sixth album, Nothing is the Ideal, which they made at Abbey Road studios and finds them further exploring the darker side of stoner riff rock. If you haven’t given the album a spin you can listen below. The band have just made a video for the […]

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  • All Them Witches Prove Themselves Inimitable and Extraordinary on Nothing As The Ideal

    [Line Of Best Fit] By Tyler Damara Kelly Nothing As The Ideal All Them Witches 9 Release date: 04 September 2020 All Them Witches have always been a seminal band in the synesthetic world of neo-psychedelia, consistently toting with them a tempestuous style of blues bleeding into hard rock, despite their desire to steer clear of any genre […]

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  • Hear All Them Witches Reinvent 70s-Style Psych-Rock on New Album ‘ATW’

    [Revolver] Nashville quartet hails to Blue Cheer, Floyd, Sabbath, while never sounding derivative ATW is the latest album from All Them Witches, a Nashville psych-rock band that nods to Blue Cheer, Pink Floyd, Black Sabbath and all manner of Seventies rock, yet doesn’t fall into the standard traps the ensnare much of the Deep Purple–worshipping […]

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  • All Them Witches Bring ‘Diamond’ to Life with an Eerie Video

    [Flood] Nashville’s sludgiest jam band carry over their genre-blending brilliance to video for their latest single, announce US and world tour dates. By Dean Brandt Last Friday we were blessed with the second single from All Them Witches’ forthcoming LP, ATW, which further solidified their status as overlords of stoner/psych rock fusion. Today, the Nashville […]

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  • Interview: All Them Witches on Craft and Chaos

    [axs] All Them Witches devise dreamy discord on Sleeping Through The War, their just-released fourth LP. The brainy psych-rock four-piece teamed up with production wizard Dave Cobb (Chris Stapleton, Sturgill Simpson) to embellish their sound (+ back-up singers and loops) without threatening its DIY spirit. Lyrics move from delicate to maniacal, song lengths range from […]

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