Tank and The Bangas
Coming from New Orleans, Tank and the Bangas are surrounded by plenty of grand musical traditions. And the five-piece group has a rare knack for combining various musical styles—fiery soul, deft hip-hop, deep-groove R&B and subtle jazz—into one dazzling, cohesive whole that evokes the scope of New Orleans music while retaining a distinctive feel all its own.
“It’s music that can’t really be put in a box,” says singer and poet Tarriona “Tank” Ball. She fronts the band with vivid charisma that helped Tank and the Bangas win NPR’s 2017 Tiny Desk Concert Contest by unanimous acclaim, standing out among 6,000 entrants because of what Bob Boilen called “the depth of their lyricism and the versatility of their players.” Those same qualities also attracted the attention of Verve Records, which has signed the band.
Ball’s lyrical depth has been years in the making. She came up in the strong local slam poetry scene before meeting her bandmates: Merell Burkett on keyboards, Joshua Johnson on drums, Norman Spence on bass and synth keys and, eventually, Albert Allenback on alto sax and flute. “Growing up, I always could sing, but I wrote better than I sang, so I focused on writing,” she says. After her team won the National Poetry Slam Championship two years in a row, Ball turned her full attention to Tank and the Bangas.
What started as a loose collaboration at an open-mic night in 2011 has grown into a mesmerizing musical force that’s only picking up speed. After a featured set at the New Orleans Jazz & Heritage Festival early in the band’s career, the musicians built a reputation outside their hometown by grinding it out on the road, honing their live show and releasing the 2013 album Think Tank, all the while converting audiences into passionate fans and garnering critical acclaim, from the New Orleans Advocate to The New York Times. “It made us work hard,” Ball says of playing Jazz Fest. “It made us want to feel deserving of it.”
Their hard work is paying off: The Huffington Post says Tank and the Bangas defy description onstage, adding, “It’s music that you have to experience.” The experience is subject to change from one night to the next.
“One show will feel very electronic, or hip-hop, and another show will feel slow and vibe-y and jazzy, and then another show will just be poetry and off-the-cuff riffs,” says Johnson. “As a band, we don’t like to hear ourselves do the same thing for too long, so we might change a small thing here or there, and if we change enough small things, it seems like a big change.”
Tank and the Bangas won the Tiny Desk contest with “Quick,” a riotous single they released in 2017 (and soon accompanied with a cheeky, not entirely safe-for-work video). There’s more new music where that came from as the group works on the follow-up to Think Tank. “It’s going to be awesome,” Ball says. “It’s going to be fun, and a little vulnerable at the same time.”
The band’s ongoing evolution involves more than just music: Ball continues to grow and develop as a performer and writer. Even back in the open-mic days, she was a force of nature. “I don’t know if there’s such a thing as too free, but it was totally uninhibited. She was inspired,” Spence says, laughing at the memory. More recently, Ball has become less of a dervish onstage—“I was running around so much I didn’t have time to sing at all,” she say—while finding new ways of expressing herself as a writer.
“I don’t just think about myself when I write now,” she says. “Just being with my bandmates taught me to think more about other people. And when you have an audience of people ready to listen to you, you’re excited to connect with them, you really are.”
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Videos & Press
[NPR] By Marissa Lorusso If we had to guess, we’d say Bangaville is more a state of mind than a physical location. That’s where we find ourselves at the beginning of the video for Tank and the Bangas’ new single, “Spaceships.” The song captures the band’s infectious energy — a mix of R&B, funk, hip-hop, […]
Tank And The Bangas – From Tiny Desk to the Masses: An Artist Development Story That Wasn’t Supposed to Happen This Way
[Pollstar] By Deborah Speer Tank and the Bangas are living what seems an artist development fairytale come true. Their success story gives credence to the premise that there is no one path for artist development. After five years of self-booking and performing around their home base of New Orleans and the Southeast, the band’s manager […]
[Country Roads] Tank and the Bangas bring home-grown goodness from New Orleans to America’s ears By Alex V. Cook Perhaps you remember Pop Rocks. The crumbled, effervescent candies came in foil packets, and when you poured them on your tongue, the rocks started to pop and fizz, which would escalate until a moment of panic […]
[Huffington Post] By Brian Denney When I entered the Masonic Lodge of The Hollywood Forever Cemetary to see emerging band Tank and the Bangas perform last Thursday night, I had no clue what to expect. It was just a week before the concert that I had been introduced to the innovative, genre-defying band from New […]
[Vice: Broadly] By Leila Ettachfini In the months since Tank and the Bangas won NPR’s Tiny Desk Contest, lead vocalist Tarriona “Tank” Ball has skyrocketed into fame and sold out a nationwide tour. Throughout the process, Ball has remained true to her New Orleans roots. “Get a room full of people,” recites Tarriona “Tank” Ball, […]
[OffBeat] Over 6,000 acts entered NPR’s 2017 Tiny Desk Contest, but when the 10 judges convened for a vote they landed on a unanimous winner: New Orleans’ own Tank and the Bangas. Led by the infectiously positive Tarriona “Tank” Ball, the genre-defying group blends clever spoken wordplay with laidback grooves and beautiful melodies to create […]
[NPR] By Bob Boilen Out of over 6,000 entries — more submissions than we’ve ever received — Tank And The Bangas won, unanimously, this year’s Tiny Desk Contest. I fully expected their victory performance here at NPR headquarters in D.C. to be celebratory. I didn’t know we’d all end up in tears. This band combines […]
[nola.com] By Doug MacCash One of New Orleans’ bands to watch, Tank and the Bangas just don’t quite fit in a predictable slot. Even the Bangas themselves can’t immediately describe what they do — and that’s exactly why they’re so interesting. As the band took a break from rehearsal Tuesday (Nov. 15), I posed the […]
[OffBeat Magazine] By Frank Etheridge Tank and the Bangas call their rehearsal space and its cozy lower Ninth Ward confines “Bangaville.” The band meets twice a week, from 10 p.m. to midnight on Tuesday and Wednesday nights, to rehearse in their low-ceilinged space—which members also jokingly refer to as the Bangas’ “museum.” Its compact walls […]