Tank and The Bangas
Tank and The Bangas don’t go anywhere quietly. Sitting around a dimly lit room in London’s neighborhood of Camden Town, vocalist Tank Ball, bassist Norman Spence, drummer Joshua Johnson and saxophonist Albert Allenback can’t go mere minutes without bursting into play fights, or talking over one another, or laughing from their deepest guts. They are a beacon of life. And it’s that life that you hear in their music. That’s what makes this fivepiece one of the most thrilling, unpredictable and sonically diverse bands on the planet; a unit where jazz meets hip-hop, soul meets rock, and funk is the beating heart of everything they do. Their new album Green Balloon is on the horizon, and it’s their first release now they’re signed to major label Verve Forecast – a deal that came after they won NPR’s Tiny Desk Contest in 2017, beating out hundreds of other acts. They admit that it was a moment that has entirely changed their lives. This resulting record is set to prove their pizazz and their staying power. It’s everything they’ve worked so hard for so far.
Green Balloon is a multi-faceted title for their first full-length release since Think Tank in 2013. Think Tank was a case of throwing all their creative juices and ideas to at the wall to see what stuck. It was a DIY project. This album process was a world apart from that. “Green Balloon is a sister to Think Tank,” says Tank. “Think Tank was 12, and Green Balloon is 16 and having sex. She’s out there.” Made in New Orleans, Los Angeles, London and Florida, the band’s newfound critical acclaim and global notoriety meant they were able to call upon producers such as Jack Splash, Mark Batson, Zaytoven, Louie Lastic and Robert Glasper. Some of these names were on their bucket wishlist, others were new discoveries. “It was truly a dream to us. We’re so lucky,” says Tank. Green Balloon and many of its lyrical themes may seem to revolve around money and material (“money, look at all my money” starts ‘Spaceships’), but it’s far more complex than that. The color is explored throughout the tracks.
It’s not quite a full concept album, but there are interludes and a story arc. Tank explains that in New Orleans a common phrase is “she’s as green as a blade of grass”. “Green is about being naïve,” she explains. “You could be immature, new to life and experiences.” Green is also a reference to marijuana, which is vital to the band. “Feeling high, feeling out of yourself, feeling different,” she continues. Take the track “Too High,” which is almost two minutes of Tank just talking about weed consumption. In terms of wealth, Tank is as interested in what it means to not have money as she is with knowing what you do with money when you’ve never had it. It’s fitting too, that the idea of naivety pertains to the experience of Tank and The Bangas in the past few years while elevating from underground treasures to internationally renowned professionals. “It’s been a learning curve and a journey,” they admit. “We went to a whole different dimension.”
The founding members of the band (Tank, Josh and Norman) met at an open mic night in New Orleans in 2011 called Liberation Lounge. Tank had wanted Josh to write out songs she’d already written for a poetry album. Eventually they met Albert. A family of musical lifers, none of them ever thought twice about quitting through years and years of grinding it out on local live circuits. That time gave them the best foundation for their onstage chemistry and dexterity. As a result they’ve been heralded the best live band in America and for good reason.
It was the NPR contest that turned their world upside down. They were already accustomed to winning competitions but they had no expectations for their entry. Their submission is an example of their need for more discipline – they did it at the very last minute. “We weren’t expecting to win or not to win. We did something we thought was really cool and we thought everybody would vibe with it, but we didn’t know it would change our lives. It was our moment. They picked us unanimously.” They went from traveling to the likes of Chicago to play to three or four people, to touring all over the world, and getting to enjoy downtime at home in New Orleans. It led to the album-making process.
On the record, they have overcome their biggest challenges to date: deadlines, forward-planning and outsider collaboration. The reward is in the songs and their variety. “Dope Girl Magic” is a trap joint, showcasing the other side to Tank, as she raps with as many character voices as Missy Elliott or Nicki Minaj. “Ants” is dripping in soul jazz like Amy Winehouse’s “Frank.” “Hot Air Balloons” is a slow jam straight out of the D’Angelo school book. Tank is a former slam poet and her voice is inspired by everyone from Donny Hathaway and SWV to Nina Simone. Their biggest collective influence in the past few years has been Kendrick Lamar’s To Pimp A Butterfly. “It’s the best shit you’ve ever heard. A lot of people aren’t accustomed to horns, but if you give them a tiny taste you can whet their appetite. That record brought an eclectic view to what music could be as mainstream.”
Tank is lead lyricist and describes her focus on these songs as simply honesty. “Being vulnerable,” she says. “I had a lot of moments on this album where it would get difficult and I would call in reinforcements, like my band members. Whenever I was in a tough spot I’d call on the guys.” It’s a self-reflective diary, a mixture of fun and joy, but also a catharsis while dealing with a complicated ex. “Roll out, take your bra off,” she laughs, depicting her attitude to life in these songs. The creative process was often spur-of-the-moment and out of the blue. The biggest thing they learned about one another in the studio was more of a reinforcement than a revelation. They found new depths of appreciation for each others’ creativity. “I’m around a bunch of freaking geniuses,” says Tank.
“We’re really vibe-y as a band,” they explain of their approach to studio time. They’d arrive to sessions with an idea of what they wanted but it was never strict enough to derail them from jamming and going with the flow. Their songs come whenever, usually during rehearsals and sound checks. It’s purely organic. “It’s a puzzle and everybody needs to be there to solve it,” says Tank. Their mixture of rock, funk, soul and hip-hop is unlike anything else in the ether right now, but elements are close enough to Beyonce, Frank Ocean, Flying Lotus, Kendrick, etc, that the hope is they can infiltrate the mainstream. They don’t connect with the idea of genre, which is thoroughly modern in itself.
“It’s like colors or something,” they say. “Everything we’re influenced by we don’t have a problem putting on a record because we don’t feel like we’re stuck in one lane.” Tank agrees: “When we’re creating, we are creating. We never say: that sounded too blues-y, that sounded too country, that’s too hip-hop. It’s just that’s what this feels like, so let’s push that feeling to its completion, make it feel good.” Tank and The Bangas are the vein of band to believe that there are only two types of music: good music, or bad music. “If it’s good, it’s good!” says Tank.
Despite their newfound global focus, Tank and The Bangas remain a New Orleans band at heart. New Orleans is a lawless place for creatives – there are no rules. There might be an idea of the typical Frenchmen St jazz band but to couch this band’s work in that notion is to do both them and NOLA a grand disservice. ”You don’t need to do a certain type of music to be connected to New Orleans,” says Tank. “It’s in the culture, it’s in the people, it’s in the fact that we can all find so many common things in the streets.” New Orleans champions its own, which allowed Tank and The Bangas to grow their fanbase by word of mouth and community. “That’s more New Orleans than anything I’ve ever heard. The music in New Orleans isn’t technical, it’s not a bunch of fancy ass notes. It’s felt and it’s very passionate. It’s real. That’s what people get to take home.”
It makes sense that the next person they have on their dream list to work with is legendary musician George Clinton. “Just putting it out there,” laughs Tank. Overall, the band are no longer waiting for their own green light to get going. The green light is here, and you better believe Tank and The Bangas are ready to take flight.
Video & Press
Tank and The Bangas’ Album Tackles Serious Issues Including the Capitol Attack
[NPR] Heard on Morning Edition LEILA FADEL TAYLOR HANEY Tank and The Bangas has come a long way since winning the 2017 Tiny Desk Contest, going on to be nominated for Best New Artist at the 2020 Grammys for the record Green Balloon. Tomorrow, they’re set to release their third studio album, Red Balloon. The music is ebullient – no surprise […]
Tarriona ‘Tank’ Ball: Tiny Desk (Home) Concert
[NPR] By Bob Boilen The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music’s Tiny Desk (Home) Concerts, bringing you performances from across the country and the world. It’s the same spirit — stripped-down sets, an intimate setting — just a different space. “I’m very excited to do this, I’m very […]
Watch Tank and The Bangas on The Today Show!
Grammy-nominated band Tank and the Bangas perform, “Ants,” off their 2019 album, “Green Balloon,” live in the first Artist’s Lounge of 2020 on the 3rd hour of TODAY.
The Evolution Of Tank And The Bangas’ Unique Voice
[NPR] By TALIA SCHLANGER Tank and the Bangas inside the World Cafe Performance Studio Makena Duffy/WXPN I’ll never forget the thrill of watching Tank and the Bangas‘ submission to NPR Music’s 2017 Tiny Desk Contest for the first time. The band leapt off the screen as joy and creativity personified and won as a unanimous favorite and it’s […]
Billboard Emerging Artists Spotlight: Tank and the Bangas
[Billboard] By Tallie Spencer Welcome to Emerging Artists Spotlight, a new Billboard series where we highlight a musician who has recently made his or her debut on the Emerging Artists chart. Whether they are new to the industry, or have been around for a while but are just starting to have a chart impact, the intention is to showcase where […]
NPR First Listen: Tank And The Bangas, ‘Green Balloon’
[NPR] By Bob Boilen Tank and the Bangas’ Green Balloon comes out May 3. Alex Marks/Courtesy of the artist There’s no record quite like Green Balloon, and no band quite like Tank and the Bangas. Green Balloon is 17 songs, featuring 75 minutes of roughly 30 creative souls, recorded in nearly 10 studios. They make music without boundary on instruments ranging […]
Tank and The Bangas on the List for 10 Artists You Need to Know About for the 2019 Festival Season
[Billboard] By Bobby Olivier Josh Brasted/Getty Images // Tank & The Bangas performs at the New Orleans Jazz & Heritage Festival at Fair Grounds Race Course on May 6, 2017 in New Orleans. Tank and the Bangas From: New Orleans Formed in: 2011 Signed to: Verve Listen if you love: Janelle Monae, Esperanza Spalding, Vulfpeck See […]
Tank And The Bangas Announce New Album With ‘Ants’ Video Premiere
[NPR] By RODNEY CARMICHAEL Tank and The Bangas are set to release their major-label debut on May 3.Alex Marks/Courtesy of the artist For the last two years Tank And The Bangas have been so busy trotting the globe, becoming festival favorites and making new disciples with every mesmerizing live show, that releasing a new album almost seemed […]
Blast Off to Bangaville in Tank and The Bangas’ ‘Spaceships’ Video
[NPR] By Marissa Lorusso If we had to guess, we’d say Bangaville is more a state of mind than a physical location. That’s where we find ourselves at the beginning of the video for Tank and the Bangas’ new single, “Spaceships.” The song captures the band’s infectious energy — a mix of R&B, funk, hip-hop, […]
Tank And The Bangas – From Tiny Desk to the Masses: An Artist Development Story That Wasn’t Supposed to Happen This Way
[Pollstar] By Deborah Speer Tank and the Bangas are living what seems an artist development fairytale come true. Their success story gives credence to the premise that there is no one path for artist development. After five years of self-booking and performing around their home base of New Orleans and the Southeast, the band’s manager […]