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S.G. Goodman


“No one escapes the marks left behind when it comes to love or the absence of it,” says singer-songwriter S.G. Goodman, describing the inspiration behind her sophomore album Teeth Marks. “Not only are we the ones who bear its indentations, but we’re also the ones responsible for placing them on ourselves and others.”

When the Kentucky native released her debut album, Old Time Feeling, she was rightly coined an “untamed rock n roll truth-teller” by Rolling Stone. The roots-inflected rock n’ roll record saw Goodman lending her gritty, haunting vocals to narrate the dual perspectives of her upbringing as the daughter of a crop farmer, and a queer woman coming out in a rural town.

Now with Teeth Marks, co-produced by Drew Vandenberg (Faye Webster, Drive-By Truckers, Of Montreal) in Athens, Georgia, she picks up the threads of Old Time Feeling. But where her critically acclaimed, Jim James-produced debut zeroed in on the South, reframing misconceptions in slough water-soaked tones, her latest album pulses with downtown Velvet Underground electricity, shifting its focus inward – though never losing Goodman’s searing and universal point of view. Teeth Marks is what you might get if Flannery O’Connor and Lou Reed went on a road trip.

Drawing influences from the aforementioned Velvets, as well as Pavement, Karen Dalton, and Chad VanGaalen, Goodman brings 11 powerful vignettes to life, with a sound that ventures deeper into indie rock and punk territory than she ever has before. Though Teeth Marks is a love album, Goodman doesn’t aim her focus on romantic relationships alone. Instead, she analyzes the way love between communities, families, and even one’s self can be influenced by trauma that lingers in the body. Teeth Marks is about what love actually is, love’s psychological and physical imprint, its light, and its darkness. It’s a record about the love we have or don’t have for each other, and perhaps, more significantly, the love we have or don’t have for ourselves.

Video & Press
  • S.G. Goodman, a Proud and Ever-Questioning Southerner, on NPR’s Tiny Desk Concert

    WATCH HERE S.G. Goodman gazes off into the distance as she begins the first song in this Tiny Desk session, rocking her body from side to side, connecting with a force inside and also just out of reach: maybe it’s something in her past or the image of a person she holds dear, or maybe it’s […]

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  • True Love Can Leave Traces. S.G. Goodman’s Detailed Songs Do, Too.

    [New York Times] The Kentucky musician’s second album, “Teeth Marks,” is steeped in Southern songwriting, but not tethered to anything beyond its creator’s own truths. By Stephen Deusner MURRAY, Ky. — S.G. Goodman was looking for the perfect sentence. Sitting in her midcentury-modern living room in this small college town and steadfastly ignoring the whines of […]

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  • S.G. Goodman Feels the Sting of Unrequited Love in New Song ‘Teeth Marks’

    [Rolling Stone] Title track off the Kentucky songwriter’s upcoming album was inspired by her dating life as a queer woman By JON FREEMAN  S.G. Goodman feels the lingering impression of someone who didn’t return her love in “Teeth Marks,” the first preview and title track of the Kentucky singer-songwriter and activist‘s follow-up to 2020’s Old Time Feeling. Teeth Marks will […]

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  • S.G. Goodman’s Southern Storytelling

    Kentucky farmer’s daughter writes songs so the world can hear what life is like where she grew up [Rolling Stone] By JON FREEMAN  When S.G. Goodman was growing up, her farmer father would plant an annual crop of sweet corn for his three kids, which they later harvested by hand and sold for money to buy their […]

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