Fences is something new for our band Bombadil. It is more than just an album; it is a new path, a reset after several challenging years. The path began in January 2015, when a longtime member of Bombadil unexpectedly left our band. Daniel Michalak and I sat down to discuss our next steps. It was a time for soul searching. A duo of a bassist and drummer did not feel like a band. Moving forward seemed daunting, but we both felt like there was more to say with the band. We wanted to make music. So we began simply by making some. Writing and recording the Still Bombadil EP was fun. A fast and dirty exploration of a creative idea, no room for fiddling, deadline looming. Our last album, Hold On, had not been like that. It had been an ordeal.
Daniel suggested composing songs using guitar instrumentals our old bandmate Bryan Rahija had written, and of limiting ourselves to a small palette for the next album: guitar, piano, upright bass, harmony vocals. The goal was to make a folk record, something easy to understand, something beautiful. He shared a demo for “Binoculars” and I loved it. It was simple, elegant. We added it to the live set almost immediately. Daniel continued writing, focusing on guitar, harmony, and emotion. The songs inconveniently had no drums (what was I going to play?!). He instead wrote parts for me to sing and we began collaborating on composing tunes with a similar approach. “Fence” was written together at a friends house in Crozet, Virginia to kill time on tour. An old song of mine, “Long Life,” was revived and extended. Percussion parts started to show up. Daniel’s commitment to songwriting continued to inspire, a new demo was in my inbox almost weekly. Daniel enlisted the help of an old friend and data scientist, Nasir Bhanpuri, to analyze the success of our old catalog of songs and make suggestions to guide our writing and arranging. It was an experiment that pushed us to take the songs further than we might have in the past. In part, we were throwing ideas at the wall to see what would stick, but we were also searching for something new, actively trying to push ourselves to new creative heights.
We kept the Bombadil ship moving by accepting all shows, searching for more opportunities to play. We found wonderful people to tour in our band. There were good shows. There were bad ones, too. I learned to be a lead singer on the fly and on stage (with the help of an encouraging septuagenarian opera singer). And we kept writing, practicing, and recording. In July 2015, Stacy Harden sent me an email inquiring if we needed a musician. In his audition, he played through songs like he had been in the band all along. He even knew the harmonies. He had grown up a fan of the band, singing along in the car. In October, Stacy and I drove our equipment across the country for a West Coast tour in a four-day sprint and listened to every song the Beatles recorded. His easy-going spirit was infectious, his presence made the band more fun and more inspiring. We had found our man. “What’s So Great About You” was the first collaboration between this new trio, and we started to discover what a new version of our band sounded like.
In January 2016, the three of us left North Carolina for Littleton, Massachusetts to spend several weeks at a friend’s farmhouse. We recorded all day long, cooked together, spent our breaks around a roaring wood stove carefully tended to by Daniel. The resulting demo recordings gave us a roadmap to follow. Our label, Ramseur Records, suggested a producer, a departure after self-recording our last three records. John Vanderslice was given the demos and was enthusiastic about the material. He insisted that we listen closely to Paul Simon’s first record. He told us the songs needed a sense of danger, that our demos felt like we were being too careful, and that the songs needed more percussion. John is opinionated, talented, and inspirational. And most of all, making the record with him over 12 days in September 2016 at Tiny Telephone in San Francisco was easy. And fun. And fast. We used only analog equipment, recording to tape through high-end vintage equipment. Bryan came to play his guitar parts (which by this point Stacy had learned for live performances of the material). The recordings were all first takes, new ideas were quickly embraced, mistakes were left alone as intention, very little artificial reverb was used but John’s concrete echo chamber was used extensively. We hoped to catch lightning in a bottle and I think that we did.
To me, Fences represents the journey of the last two years. It is the discovery of a group voice, the willingness to explore collaboration between old friends, and an openness to let new voices into the fold. It is something I am proud to have been a part of and am excited to share with the world. To me, it is an example of the power and positivity of collaboration, of a group of human beings working diligently on a shared vision. If nothing else, I can say that we tried as hard as we possibly could. I can’t wait to do it again.
Thank you for listening,
Videos & Press
[Huffington Post] By Tanya D. Marsh It can be intimidating to discover a band more than a decade into their development. Although Bombadil was founded in 2004 and released its first full-length album in 2008, music lovers who discover the band through their new release Fences (2017) will have a similar experience to long-time Bombadil […]
[fruk] By Alex Gallacher Watch Bombadil performing Perfect in a live session at the Museum of Life & Science. The song features on their new album Fences which is out now on Ramseur Records. A love song of sorts in which the imagined partners look ahead at what life might be like, from the colour […]
[wunc.org] By Charlie Shelton & Frank Stasio A few years ago, Durham-based indie-folk band Bombadil decided to do some soul searching. After one of the band members left the group, the rest of the band decided to take a step back and find a new direction. The group eventually picked up new bandmate and worked […]
[No Depression] By Sarah Fuller Hall If less is more, then it can easily be said that Bombadil’s latest offering, Fences, provides an abundance of musical wealth with an economy of means. Utilizing a small group of instruments – guitar, piano, upright bass, smatterings of percussion and electronic sounds – and combining them with vocal […]
[The Bridge] By Michelle Bacon Bombadil’s upcoming album, “Fences,” signals a new direction for the Durham, North Carolina-based trio of James Phillips, Daniel Michalak and Stacy Harden. The album (which will be released on March 3 via Ramseur Records) took shape after the departure of a longtime band member, forcing the group to step out […]
LISTEN TO 1ST SINGLE “NOT THOSE KIND OF PEOPLE” HERE: https://youtu.be/VnTtoWMGjT4 Two years ago, Bombadil lost a longtime bandmate and breaking up seemed inevitable. But after a period of exploration that forced them to step out of their comfort zone, Bombadil has returned as a band reborn. Their new album ‘Fences,’ out 3/3 via Ramseur […]