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Peter Wolf


A Cure for Loneliness manifests the same vibrant passion for music that’s motivated Peter Wolf for most of his life. Growing up in an artistic, politically engaged family in the Bronx, he became an early rock ‘n’ roll convert after attending an Alan Freed rock ‘n’ roll revue that included performances by Chuck Berry, Buddy Holly, Jerry Lee Lewis, Little Richard and Frankie Lymon. His thirst for new and old sounds drove him to exploring blues, soul, country, folk and jazz, inspiring weekly visits to Harlem’s Apollo Theatre and leading to acquaintances with many of the music’s surviving originators.

Wolf’s talent as a painter won him a grant to study at the Boston Museum School of Fine Arts. While a student there, he experienced a life-changing epiphany after jumping on stage to sing with a blues band at a loft party. He soon talked himself into membership in that band, The Hallucinations.

“I didn’t join a band to meet girls,” Wolf recalls. “I joined my first band to meet musicians. Painting was a fascination for me, but I was a music fanatic, and sitting in with that band was a born-again type of experience for me. I was transfixed, and myself and some of the guys in the band would check out performances by the musicians we admired so much, like Muddy Waters and John Lee Hooker and John Coltrane and Bill Monroe and the Stanley Brothers. Those roots stayed with me.”

Wolf’s natural loquaciousness won him a job as an all-night DJ on the fledgling FM rock station WBCN. Adopting the persona of “the Woofa Goofa,” he spun raw rock ‘n’ roll and rhythm ‘n’ blues, channeling the spirit of the flashy, fast-talking DJs he’d grown up listening to.

Wolf’s encyclopedic musical knowledge came in handy when he and some like-minded Boston players formed the J. Geils Band, much of whose early repertoire was drawn from Wolf’s vast record collection. The band soon became a local favorite injecting a much-needed jolt of raw, uninhibited rock ‘n’ roll into the ’70s scene and was soon signed by Jerry Wexler for Atlantic Records. Between 1970 and 1983, the J. Geils Band released 13 influential albums, topped the pop single charts with 1981’s “Freeze Frame,” “Love Stinks,” “Centerfold,” and earned a reputation as one of rock’s most exciting live acts, thanks in large part to Wolf’s flamboyant, hyperactive stage presence.

After going solo with 1984’s Lights Out, Wolf continued to stake out new musical territory with the subsequent releases Lights Out, Come As You Are, Up to No Good, Long Line, Fool’s Parade, Sleepless and Midnight Souvenirs. His solo work has seen him collaborate with the likes of Aretha Franklin, Merle Haggard, John Lee Hooker, Mick Jagger, Keith Richards, Little Milton, Wilson Pickett, Shelby Lynne and Neko Case. Wolf temporarily reunited with his J. Geils Band cohorts for live shows on several occasions between 1999 and 2015, but his solo career has remained his creative focus, as A Cure for Loneliness makes clear.


Videos & Press
  • Peter Wolf: Searching for A Cure for Loneliness

    [Paste Magazine] By Jim Farber Last year, Peter Wolf and the J. Geils Band played a set so fast and fleet, it could make a thrash band sound slack. Opening for Bob Seger’s Madison Square Garden show, the group proved they could still muster the bluster and jive of their earliest incarnation. “When it’s in […]

  • Peter Wolf promises a rock ‘n’ roll party to remember at Hoboken’s Spring Arts & Music Fest

    [NJ.com] Peter Wolf, onetime lead singer of the J. Geils Band and patron saint of the New England rock scene, will perform at the Hoboken Arts & Music Festival on Sunday, May 3. For longer than most fans can remember, Peter Wolf has been to the New England rock scene what Bruce Springsteen represents to […]

  • REVIEW: J. Geils Band singer Peter Wolf gets lost in many styles at Sellersville Theater

    [Lehigh Valley Music] By John J. Moser J. Geils Band singer Peter Wolf is a musical chameleon. Not in the way of David Bowie or Neil Young, who simply try out styles indiscriminately, but in the way of someone who truly loves music and sees no difference performing blues or country, rock or new wave. […]



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